In every film there are little moments that can serve the story in a multitude of positive or negative ways, from fusing together themes, scenes, and/or characters, etc, to subterfuge or flat-out self-sabotage. Personally, I love when a bridging moment or scene can nourish the transitive nature of Hollywood film structure in the Eisenstein-ian way. … Continue reading Anatomy of a Scene: 10 THINGS I HATE ABOUT YOU (1999) →